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FROM CHINA TO CHOPIN, Ang Li Live in Manila

 19 March 2013


Fall in love with great music this summer..



MANILA, Philippines--Ranked among the top 30 pianists in the world by the 2009 Cliburn Competition and has toured some of the most prestigious performing arts venues around the globe, acclaimed pianist Ang Li performs two shows exclusively at the PETA Theater Center this March 20.

"From China to ChopinAng Li Live in Manila" will make the audience fall in love with the music of Chopin, Liszt, as well as Chinese folk songs adapted for solo piano at 8:00pm.

Ang Li will also perform "Classical Music for Young People," which will feature the most-loved works of Mozart, Tchaikovsky and Chopin. This will be coupled with interactive discussions to guide and engage the audience on these classical pieces. This performance starts at 2:00pm.
           
Through the afternoon show, younger audiences have the chance to gain exposure and interest in a genre of music that is rarely heard today.

A rising star in the classical music, Ang Li is a young pianist known for her audience appeal and breathtaking talent that inspires audiences of all ages to develop a taste for classical music.

Ang Li has toured all five continents and has performed in renowned venues such as the Lincoln Center for the Performing Arts in New York and the National Center for the Performing Arts in China. The young piano prodigy makes her only performance in country at the PETA Theater Center, the home of a pioneering theater company-the Philippine Educational Theater Association.

For tickets and inquiries, contact PETA through 725-6244 loc.12, 0917-5765400, or petatheater@gmail.com. Tickets are also available through Ticketworld (891-9999, www.ticketworld.com.ph). 


*PRESS RELEASE*
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PETA's D' Wonder Twins of Boac

 23 February 2013


Shakespeare's Twelfth Night on a 1967 Philippine setting is brought to life on an arena stage by PETA.

"D' Wonder Twins of Boac" is a Philippine Educational Theater Association (PETA) production wherein once again we are treated with a unique experience of theater as we continue to understand that there is indeed no bigger screen than the stage.  Maribel Legarda, the director, defied all boundaries by giving life to this production on an arena set-up.  Yes, we marvelled in this story in all angles!



"D' Wonder Twins of Boac," written by Rody Vera, is set during the late 1960's surrounded by the then glitz and glamour of Philippine Cinema and as the glitters start to fade, the story starts to glimmer and ends on a light we can only decide what.  This is a "Twelfth Night" adaptation that we should all experience.  It reminds us of the glory of the past and hopefully gives us something to think about as we face the future.

"Twelfth Night" is close to my heart since this was the play assigned to us during my Stella Adler class back in 2011.  Thus, I know the story and irks and quirks of the lines, just how Shakespeare played with words on this one.  It's amazing how Vera managed to keep them but is still apt in the new setting he conjured.

I studied the role of Viola back then, thus, I was more than curious to see how Cris Villonco, who is almost always playing the role of the most feminine lead character of the production, will bring a girl-pretending-to-be-a-boy to life.  And I think she nailed it.  She was able to bring out the correct amount of masculinity and we can see the struggle of being herself (Viola) and being Cesar at the same time.



As I write this, I have already seen this production twice: during the Press Night last January 31 and with friends last February 16, 10:00 AM show.  Not much difference in the set of cast, though.  Although, I realized how difficult it is to absorb a play while taking pictures.  That's why it's always ideal to see it before taking them.  Also, that's why I was hesitant in doing this write-up before seeing it again without a camera on hand.  So, most, if not all, of what I write now is based on the February 16 show.

I fell in love with three members of the cast:

Riki Benedicto played the role of Antonio and he was the perfect blend of Antonio that the role required.  He is the main reason why my favorite song number was "Awit ng Mga Stuntman."

Gie Onida was very natural.  It was like he is Toma in real life.  He did not overdo the drunkenness of the character.  He was able to define the line of intoxication and sense.

Malvolio is my favorite character in Twelfth Night.  That's why I did not miss seing "I, Malvolio" last year.  Gino Ramirez was amazing!  He embodied what made me fell in love with Malvolio in the first place.  He was able to play Malvolio right, that his last words would have that effect on you as much as Shakespeare would want it.



Shamaine Buencamino was superb beyond expectation.  Chrome Cosio has the best reactions.  Lex Marcos was as usual.  This is the best I've seen of Eric dela Cruz.  Roi Calilong, Pat Liwanag and those who played Juvy were okay.  And Philip Lazaro did well as a first timer.

And some may say I'm saying this because we're friends, but Kiki Baento was fabulous in this production.  Well, I do love the role of Maria too and she was able to stage it fabulously.

It really is a challenge to act on an arena stage.  You would need to make every inch of you act.  Yes, even your behind.  That's why I applaud the direction and the whole cast for making every inch of the theater, experience this wonderful story.  I was able to see it at the VIP area the first time (where I took the pictures) and saw it again on the opposite side (where the stage usually is), and I would recommend either side, well, all sides would be good actually.  Although, you need to enter the leftmost door to the theater if you want to be seated on where the stage usually is.

The live band was the cherry on top of this delectable dose of art.  Sitting beside the band made us appreciate the singing more despite the proximity.  The voices were not drowned by the live music.  It was a perfect blend for me.

One of the things I loved about this production is the ending.  Don't worry, I won't spoil it for everyone, because I want this to be something you experience on your own.  This is where Rody Vera steps away from Shakespeare's Twelfth Night.  And you will look at this production on a totally new light.



As February 2013 slips away, don't let it end without celebrating the National Arts Month.  And the best way is to go inside the theater and experience the wonderful world of Philippine Theater.  D' Wonder Twins of Boac is something you should not miss!

Click this link to get your tickets now!

Remaining shows:
Feb 24, 10AM and 3PM;
March 1, 3PM and 8PM;
March 2, 3PM and 8PM and
March 3, 10AM and 3PM.

More photos here.



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Katy: The Musical

 21 January 2013

Aching for superb singing and live performances?

It has been quite a hiatus due to the demise of my old laptop, however, God has blessed me with a new MacBook Pro and what a way to start this year's series of blog posts with a very wonderful musical production, "Katy."

"Katy: The Musical" is a production of Spotlight Artist Centre and is being staged in the Cultural Center of the Philippines' Little Theater.  I was able to see their 8:00 PM run last January 20, 2013.

It was actually quite daunting to be able to get good seats and purchase tickets from Ticket World, but it was all worth it.

Isay Alvarez and Dulce are enough names to make me look forward to see this show.  Of course, the story of "Katy" did seal the deal.  It is about how the stage and performing became Katy dela Cruz's dream, love and life.  The musical highlights her earliest performances in fiestas and cockpits and started with Teatro Lux and as she moved to Grand Opera House and to San Francisco, USA.

The musical numbers are grand and amazing, however, what is more important are the stories behind the stage: her relationships, with her dad and husband, her friends and rivals and the important turn of the century in Philippine history and culture.

The house music would definitely set the mood and and start your travel back in time to Katy's era, but nothing prepared me for the amazing blending of voice and music during the Overture.  That alone, didn't stop my hands from coming together in an applause, even if the curtains are closed and there's really nothing happening on stage.  It is sure the best way to set myself to be entertained.  And I definitely was not disappointed.




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A Very Personal Take On PETA's BONA

 01 September 2012

As I have mentioned on my previous post, "Bona" has a very different connotation for us.  We have applied it not only on a fan's admiration but more for the fanaticism brought by unrequited love.  The Philippine Educational Theater Association's (PETA) staging of BONA if not contributed, formed the wholeness of being BONA.. (ang pagiging Bona).

With the modern setting, it is very easy to relate to today's Bona (played by Ms. Eugene Domingo).  She's a call center agent who spends her day time on other jobs to be able to support her sister's children instead of sleeping.  And like most Filipinos today, she started to admire a contestant of a talent search, Gino Sanchez (played by Edgar Allan Guzman).

More Photos by Tin from the Press Preview Run Here
We all started in small admiration.  Until we totally get hooked.  Like a young moth to the fire.  It has been said that you can give without loving, but never love without giving.  Eventually, the warmth of the fire is too hard to resist, too hard to miss and most of the time, you'll just find yourself, giving too much.  Giving your all.

Bona has reached this point.  She resigned from her job, turned away from her family and friends and even forgot herself, just to cater to the needs and wants of a boy who dreams of becoming a famous actor.  Her only retribution was his happiness.  His sweet butterfly kisses and ice-melting stares continued to haze her vision of the state she was already in.

I know I have been.. and I have a dear friend who has been.. Bona.  Opo, naging Bona na rin po ako.  And I thank God that we have never been, and I pray never will be, in the same spot as Bona and Baldy, Bona's best friend, after Bona tried to sell some of her stuff to Baldy.

Phil Noble was amazing when he played the part of Baldy.  He was well loved in the first act, and more so in Act 2.  I felt how much he wants to shake Bona to wake her up from her daydream and how much he mourns for her oblivion.  I would not want to be in his shoes, nor would I want my friends to be in too.  I'd like to wake up, and I hope my friends do too.

Then, my heart gets crushed a little bit more when Binky, Bona's sister brings the news about Bingo, Binky's son.

Shรฉ Maala played the role of Binky and was superb!  She was able portray a mother thinking about her son and not someone who was just asking for money.  She was longing for her older sister's care and support and when she found none, Shรฉ showed a strong and determined Binky that if this wouldn't stir you up, nothing will.

These actors and scenes are essential in boiling the emotions inside Bona and Eugene Domingo.  Thus, when she finally woke up from her daydream, we all bathe in blistering pots of raw talent.

We are fortunate enough to have shared this experience with the original Bona, Ms. Nora Aunor.  Yes, we were so lucky to be in the same audience.  It would not be a lie to say that this boosted the casts' energy during this run.  Even, Uge (Eugene Domingo) was unable to finish the curtain call without breaking down.

Edgar Allan Guzman, Ricky Lee, Chanda Romero, Ms. Nora Aunor, Ms. Eugene Domingo, Phil Noble, Gabs Santos
During the press con, Uge has been very vocal about her fear of being compared and would only want Ate Guy to be entertained this time.  It is such an honor to witness the affirmation from the Super Star herself.  If I was swelling with emotions due to this momentous event, I know it's nothing compared to what Uge was feeling.  I could only imagine, and I'm already welling up and my goosebumps don't want to calm down.

Congratulations to the cast and staff of the whole Bona production!  This production screams that indeed, there is "No Screen Bigger than Theater!" PETA's 45th Theater Season Rationale

If you haven't experienced Bona yet, see here for show dates and if you have, see it again, now that Uge is more inspired than ever!


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